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.FILL
.INDENT 6
	Very often there will be no clearcut procedure that may be
followed when analyzing situations similar to the next example.  At
(*), the change of mode on the G root makes varying interpretations
of the function of the ↓_d_↓ tonic possible.
 
.begin verbatim

Example 58
.end
.CENTER
%5⊂⊗⊃L(8,2.7):58X.PLT[HHA,LCS]⊂⊗⊃%1
.skip 6
.begin verbatim

Figure 58a

.END
.CENTER
%5⊂⊗⊃L(8,2.5):58FA.PLT[HHA,LCS]⊂⊗⊃%1
.skip 5
.begin verbatim


Figure 58b

.END
.CENTER
%5⊂⊗⊃L(8,2.7):58FB.PLT[HHA,LCS]⊂⊗⊃%1

.skip 5
.begin verbatim

	* When a tonic changes mode for more than the duration of
	an occasional chord, the change may appear superimposed on
	the continuous line running from the original occurrence
	of the tonic.
.end